She studied with Erna Berger, Maria Ivogün, and Willy Domgraf-Fassbänder. However, they also have the dramatic qualities of a dramatic soprano and can be heard easily over the orchestra. This one has it all! At Theater Love, our legit sopranos love a song that lets you work through your low to high range. The light lyric soprano has a warm tone slightly more brilliant and smaller than the full lyric. It fits everywhere! We love the idea of a sly, calculating take on the piece. 2. The light lyric soprano is the most ingenue voice type within the lyric category. This song really benefits from a rich, not-straight-but-smooth tone and the occasional satisfying release of your vibrato. The words are a little angsty, but the accompaniment and the melody are hopeful, which makes it an interesting acting challenge. So! The full lyric soprano has a more mature voice with more density and texture. This is one of them. We’re including the links to the sheet music where we can; these are affiliate links, which means that we might get a small commission if you buy through the link (this doesn’t affect your purchase price, of course). Home » Musical Theater Songs » 10 Legit Soprano Musical Theatre Songs. "Hello, Young Lovers" from The King And I Rita Streich, Light Lyric Coloratura Soprano; The noted German soprano, Rita Streich, was born in Russia and moved to Germany with her parents during her childhood, where she grew up bilingual, something that was extremely helpful during her later career. as it says in subject...i'm a light lyric coloratura (think Kristin Chenoweth...lol) thanks so much! Whether you’re looking for soprano songs to sing for musical theatre auditions, or you need something to for a benefit or concert, we’ve got you covered! Image courtesy of Chairman of the Joint Chiefs of Staff under U.S. Government works license, https://www.youtube.com/watch?v=Jzpt95_mZco, “Inside Out”- Lauren Worsham – Sh-K-Boom Records Sweet 16 Concert (https://www.youtube.com/watch?v=Jzpt95_mZco), https://www.youtube.com/watch?v=CvbICgSh_EY, I’ll Tell The Man In The Street from I Married an Angel, 1938 (Vocal) (https://www.youtube.com/watch?v=CvbICgSh_EY), https://www.youtube.com/watch?v=YmTnHaqUzdc, Audra McDonald sings Simple Little Things (https://www.youtube.com/watch?v=YmTnHaqUzdc), https://www.youtube.com/watch?v=9lEM8Vxqdyw, My Life With Albertine – If It Is True (https://www.youtube.com/watch?v=9lEM8Vxqdyw), https://www.youtube.com/watch?v=IZH_AsTieaE, The Physician – Julie Andrews (https://www.youtube.com/watch?v=IZH_AsTieaE), https://www.youtube.com/watch?v=giK9Ox0zscE, The Physician-Broadway Melody: Cole Porter (https://www.youtube.com/watch?v=giK9Ox0zscE), https://www.youtube.com/watch?v=x_YWSvphvjE, Somebody Somewhere – Kelli O’Hara (https://www.youtube.com/watch?v=x_YWSvphvjE), https://www.youtube.com/watch?v=71XS4gz4F8Q, Dracula, the Musical on Broadway: The Mist (https://www.youtube.com/watch?v=71XS4gz4F8Q), https://www.youtube.com/watch?v=s02-JZTxu08, How Will I Know From Death Takes A Holiday (https://www.youtube.com/watch?v=s02-JZTxu08), https://www.youtube.com/watch?v=PDAOMhCyN1I, Claire Griffin – “Feelings” from The Apple Tree (https://www.youtube.com/watch?v=PDAOMhCyN1I), https://www.youtube.com/watch?v=T8kzJNum0Y4, The Diary of Adam and Eve: Feelings (https://www.youtube.com/watch?v=T8kzJNum0Y4), https://www.youtube.com/watch?v=jci0PmnL39A, “Come Home” – A Night With Rodgers and Hammerstein (https://www.youtube.com/watch?v=jci0PmnL39A), https://www.youtube.com/watch?v=sK9pfJm6PWg, Elizabeth Llewellyn at the BBC Proms, Part 1 (https://www.youtube.com/watch?v=sK9pfJm6PWg), 23 Musical Theater Audition Songs for Tenors, 37 Best Musicals for High School: The Ultimate List. Here are 10 contemporary musical theatre songs for sopranos that require more legit technique. The timbre is incredibly clean and is never disrupted by heavy vibrato or even a moderate jolt in volume. Chenoweth, McDonald, Benanti, O’Hara, and you! Check out How to See Broadway Shows When You’re Broke. Most of it sits in a really comfortable range, with plenty of room to open up your legit vibrato. os 1. In the meantime, you can check out our database of best audition songs for other musicals. Not to worry! The character is essentially a 1950s spinster (thank God we’re not there anymore!) Vocally, this song sits in a super comfortable range for a legit soprano. The soprano singing voice is the voice of children and the highest type of female voice with vocal range that typically lies between "middle C" (C 4) and "high C" (C 6) The soprano voice (unlike the mezzo-soprano voice) is stronger in the head register than the chest register, resulting in a bright and ringing tone. It sounds sweet and ingenue-y, but don’t be fooled — there’s plenty of opportunity to show off your acting chops, too. P.S. But when you scan the current Broadway landscape…well, you probably won’t find many composers writing with a legit sound in mind. You know how some musical theatre songs are just so satisfying to sing? “Only Love” from The Scarlet Pimpernel. It requires you to sing seamlessly right through the passaggio, and there are some jumps to keep things interesting. We would love to hear all about it in the comments! For baritone: “Warm as the Autumn Light” from Douglas Moore’s “The Ballad of Baby Doe” This song has a soaring vocal line to show off your strong middle voice! 1. A juicy alternative to "Vanilla Ice Cream. The version below is pretty, but we’d love to hear it with some more weight to the vibrato. “The Beauty Is” from The Light in the Piazza (2005) Music and Lyrics by Adam Guettel Performed by Kelli O’Hara. — and if you’ve ever felt alone and wanting a partner, you’ll be able to mine so much emotion! Legit sopranos don’t get many comedic musical theatre roles, which is why this is one of the great audition songs. Word-by-word translations and phonetic readings are … (And Audra McDonald!) If you’re looking for a song that can sets you apart from the other sopranos at a musical theatre audition or a concert, this is the one. She debuted in operas in … This song is from I Married an Angel, a 1930s musical that is almost never produced in theatres. Turn this solo into a duet and you're golden. I’m Maggie Bera, founder of Actor Aesthetic. As for the light lyric soprano, it has a bigger voice than a soubrette. It’s from The Apple Tree, a musical that Kristin Chenoweth did very early in her Broadway career. And then it leaps up above the staff, giving you the chance to float or put some weight into your voice — or both! Otherwise full lyric sopranos need be judicious with spintoand other … Starting, one month or six? ", Music & Lyrics: Richard Rodgers/Oscar Hammerstein II. That means that you might even be able to make a bored director sit up and pay attention. It’s a completely unexpected song to add to a concert; probably not the best choice for an audition, though. Soubrette Soprano– A soubrette soprano refers to both a voice type and a particular type of opera role. There’s so much room for comedy! The second someone mentioned you were all alone I could feel the trouble coursing through your veins Now I know, it's got a hold Just a phone call left unanswered, had me sparking up These cigarettes won't stop … So, if you’re tired of playing the “I need a man to complete me” angle, you have plenty of options. We’re always on the lookout for new things to sing — what are the legit soprano musical theatre songs you’re loving right now? Light lyric soprano Ileana Cotrubas singing the aria ‘Una donna a quindici ann’ from Mozart’s opera Cosi fan tutte. The light lyric soprano is characterized with a light sound that is still full and penetrating. Her physical size and way of moving on stage keeps a 45 or 50 year old … This song, which is from A Gentleman’s Guide to Love and Murder, starts out so beautifully, with a catchy little melody that pulls your audiences in. Music & Lyrics: Richard Rodgers/Lorenz Hart. 1. for legit-esque sopranos are out there- it just takes some digging. New episodes every Monday! That voice is a light lyric soprano with a cool nasality of timbre. We’ve only just discovered My Life With Albertine, a strange little musical about Proust and his mistress. Spinto. The voice must possess a girlish, glassy quality that most float rather than vibrate with squillo; Light lyric soprano Ileana Cotrubas singing the aria ‘Una donna a quindici ann’ from Mozart’s opera Cosi fan tutte. The light lyric soprano has light voice, but a penetrating one. “Almost Real” from The Bridges of Madison County (2014) Music and Lyrics by Jason Robert Brown Performed by Kelli O’Hara. Spinto sopranos are similar to lyric sopranos in their extended high vocal range. And of course, a concert version, because the song is particularly comical coming from a soprano in a formal dress. A Soubrette will always be a Soubrette even if her voice picks up size with age. “The Mist” has a distinct haunting vibe — which makes sense, considering it’s from the surprisingly fun Wildhorn musical, Dracula. Now, you might see Frank Wildhorn’s name and wonder how on earth your legit soprano is going to work. Notice the limpid, fresh sound that a light lyric soprano must possess. You can never go wrong with a little R&H. Congratulations! (We didn’t think we could love her more, but the dancing! Leave a Light On Songtext von Tom Walker mit Lyrics, deutscher Übersetzung, Musik-Videos und Liedtexten kostenlos auf Songtexte.com ... Leave a Light On Songtext. Also, an interesting fact: there are zero musical theatre productions of this show planned for 2019 (at least as of publication). “Will You” from Grey Gardens (2006) Music by Scott Frankel; Lyrics by Michael Korie Performed by Christine Ebersole. You’ll hear that in this recording, where Kelli O’Hara gives us a little peek at her opera roots (gorgeous!). Plus, requires some serious singing, making it a good option for both auditions and concerts. Legit soprano meets a Texas twang? This song is from 101 in the Shade, and it’s a little reminiscent of “Someone to Watch Over Me”…sort of. The three basic types of solo soprano are coloratura, lyric, and dramatic. Many young singers start out as soubrettes but as they grow older and the voice matures more physically they may be reclassified as another voice type, usually either a light lyric soprano, a lyric coloratura soprano, or a coloratura mezzo-soprano. Streich was one of the most significant coloratura sopranos … At just under three minutes, this is another perfect choice for an audition song. This more mature sound may make a full-lyric less suitable for some of the lighter roles. Some soprano songs could have one dancing all night, while other songs are so popular that you have to climb every mountain to find one that isn’t overdone. 8. What The Fach is back and better! Contributions: 539 translations, 121 transliterations, 3949 thanks received, 59 translation requests fulfilled for 35 members, 9 transcription requests fulfilled, added 82 idioms, explained 78 idioms, left 530 comments One year or two? Music & Lyrics: Richard Rodgers/Oscar Hammerstein. The tonal range characteristic of a soprano. A lyric coloratura will have a narrow, highly defined voice quality that is light in texture. This is done when a more lyric timbre is desired in an otherwise heavier role. This song manages to strike that elusive balance where the melodic line matches the swell of the emotion perfectly — it doesn’t feel manufactured at all. Made famous by the late Barbara Cook. Year: 1943. 3. A lyric soprano voice is ideal for many art songs and for leading parts in light operas and musical comedies. We haven’t tried to make a 16-bar or 32-bar cut, but if you can find a good one, it could be an interesting theatre audition choice. If you can nail this Loesser classic, go for it! We love this song as an audition piece for a casting director for the high legit soprano roles in musical theatre: Eliza Doolittle, Amalia Balash, Sarah Brown…hell, it could even work for Maria in West Side Story (with the right acting choices). When it comes to musical theatre auditions in front of casting directors, this song offers SO MUCH room for acting. 1. Our queen. When it came to picking a favorite recording, we couldn’t choose between the two versions below. You can act your heart out, which is perfect when you need audition songs for a dramatic role in a musical. Music & Lyrics: Albert Hague/Arnold Horwitt. Their literature demands a light vocal quality and a melodious, flowing style. Sheet music for A Gentleman’s Guide to Love and Murder. Kathleen Battle (1948) Born in Portsmouth, Ohio, Kathleen Battle is an African-American operatic, light lyric soprano who is known for her pure and versatile voice. For that reason, it’s probably a good choice if you’ve had a little experience and a little heartbreak. Find album reviews, stream songs, credits and award information for 100 Best Soprano Arias - Various Artists on AllMusic - 2011 i'd like one for very high soprano.